White flecks on a black background, over and over, could be an invitation to savor minimalism, or is it also something else? Viewers have guessed that it is fur, feathers, or seaweed floating in a tide pool. Then the label gives it away with the title, Leaves, and suddenly you’re watching a maze of leaves fly in the air. An abundance of layered, swirling movement surrounds you. A closer look reveals how strategic the painter is. She places each stroke of paint so carefully that no two leaves merge, but barely touch each other. Something is being said when the crowd is composed of leaf after leaf, each made distinctive with infinitesimal difference.
In the fall season in the Northwest, leaves are letting loose everywhere. We may notice them as masses, but often may not recognize their other properties. Gloria Petyarre, whose home is in the center of Australia near Alice Springs, is honoring leaves filled with medicine. She was taught by her mother to mix fat from kangaroos and echidnas with crushed leaves to make an ointment to apply to one’s face and hair. The ointment carries a powerful aroma and is a potent aid in helping fight off colds. Kurrajong, the source of the leaves, is also known as the perfect shade tree (Brachyohiton Populneus). It is a tree that only grows in the sun, has deep roots to survive droughts, is a host to butterflies, is fire resistant, and drops its leaves only in dry winters.
Petyarre’s family is famous for painting to enlighten outsiders about their knowledge of their homeland. Her shimmering waves of leaves—created by powerful ancestors—convey their value in her interactive world. Now is the ideal time to take a hint from her and appreciate leaves for the botanical wonder they offer.
– Pam McClusky, Oliver E. and Pamela F. Cobb Curator of African and Oceanic Art
Images: Leaves, 2002, Gloria Tamerr Petyarre, Synthetic polymer paint on canvas, 70 7/8 x 157 1/2 in., Gift of Margaret Levi and Robert Kaplan, in honor of Virginia and Bagley Wright, and in honor of the 75th Anniversary of the Seattle Art Museum, 2012.21 © Gloria Petyarre.
Article Source: Seattle Art Museum