Every blanket tells a story. From their weaving structure, hems, threads, and wear, one can uncover the many unspoken stories of both the blanket and its owners, past and present.
Marie Watt is an Indigenous artist from the Seneca Nation whose practice deliberates the intricacies of history, community, and storytelling. For Blanket Stories: Three Sisters, Four Pelts, Sky Woman, Cousin Rose, and All My Relations, Watt collected blankets through an open call to the public, with some blankets coming from donations from her community. Some of the blankets have visible tags that state the owner’s name and story. These blankets hold the memories and stories of those who donated them, while simultaneously sharing personal connections, community history, and Iroquois creation stories. In the words of the artist:
“As I fold and stack blankets, they begin to form columns that, to me, hold many references: linen closets, architectural braces, memorials (e.g. the Trajan Column), sculpture (e.g. Brancusi), the great totem poles of the Northwest, and the giant conifers among which I grew up. In Native communities, blankets are given away to honor people for witnessing important life events, births, and comings-of-age, graduations and marriages, namings, and honorings. Among Native people it is as much of a privilege to give a blanket away as to receive one.”
– Marie Watt
Raised by her Seneca mother in the Pacific Northwest, Watt was taught the importance of the continuation and celebration of Indigenous culture. In Blanket Stories, she credits the Iroquois story of The Three Sisters, as one of the many sources of inspiration for this piece. The Three Sisters discusses the themes of home, community, and sharing. The three sisters, Corn, Beans, and Squash, spent their days in a field when, one day, they were visited by a young native boy. Curious about the boy, the sisters followed him home, one after the other. Discovering the warmth and comfort of the boy’s home—and because it was getting colder by the day—the sisters decided to stay and keep the dinner pot full for the boy and his family. The stack of blankets represents how the sisters rely on each other throughout the season to feed our people, highlighting the importance of food, family, and oral history within Indigenous heritage.
Living and working in the Northwest, Watt has stacked blankets so that they rise from floor to ceiling, reminiscent of the totems, or welcome figures, seen in this area of the United States. By visually and thematically connecting two vibrant Indigenous cultures from opposite coasts, Watt welcomes viewers and tells of how we are all connected through the stories that we share. Indigenous people look to the past for guidance from our ancestors, while also thinking towards future generations. These blanket stacks illustrate the histories that they hold, while also demonstrating the comfort and security that they have left to offer.
Every blanket has a story. What is yours?
– Kari Karsten, Emerging Museum Professional Curatorial Intern
Image: Blanket Stories: Three Sisters, Four Pelts, Sky Woman, Cousin Rose, and All My Relations, 2007, Marie Watt, Wool blankets, satin binding, with salvaged industrial yellow cedar timber base, 150 x 40 x 40 in., General Acquisition Fund, in honor of the 75th Anniversary of the Seattle Art Museum, 2007.41 © Marie Watt.
Article Source: Seattle Art Museum